I’ve lived in Ottawa for nearly ten years. I came for work—government, obviously—and am now leaving for work (albeit R’s, not mine). We didn’t think we’d be in Ottawa for very long, maybe a year or two, tops. But as our respective career paths (and locations) diverged and converged and twisted and turned, Ottawa became our home base. It was the one constant in all those years (the California years, the Montreal years…), and it really did grow on us once we let it. We came to love its quiet, its green space, its community feel. Even the brutalist architecture grew on us. And once we decided to let ourselves get attached to this place, we made some really really amazing friends.
All the big things that have happened on my mosaic adventure so far have happened while I’ve been in Ottawa, so I decided that before I left, I wanted to leave my mosaic mark on the city in some way. For me, the choice of where and what was easy: I would do it at the graffiti wall with pieces of the graffiti wall. This was a no-brainer for all sorts of reasons. First, it would be legal. This was important, because I’m quite risk averse and law abiding! Second, this wall was the source of one of my favourite and most prized materials, and this material (and one of the first pieces I made from it) was a real game-changer for me and has played an important role in my growth as a mosaicist. And finally, the wall was three blocks from our apartment, so it was on my home turf, which felt appropriate.
I made this little mosaic with materials sourced from the few blocks around where we lived: graffiti paint (obviously!), a broken pot from the end of the block, cement parging from around the corner, and flakes from a landscaping rock. I was originally also going to include broken windshield from the street that always has cars getting their windows broken, but it just didn’t work for me—glass just isn’t my jam.
When I went to scout out a spot on the wall to install this, I found myself wanting to tuck it away in a corner where it would be protected. I really had to fight that urge and put it right out in the open, knowing full well it wouldn’t last for long. It had to be part of the dynamic landscape of the graffiti wall. As a mosaicist, I work in a medium whose durability is one of its hallmarks. Diving into the world of the impermanent was very foreign to me.
I’m very curious to know how long this will last on the wall, and what will do it in. Will it be the elements? Animals (it is a dog park, after all)? Or artists? I will likely never know, and I am (somewhat reluctantly) embracing that unknown, just like I am having to embrace the unknown of moving to a different city and leaving my job behind.
In addition to being a fond farewell to Ottawa, this little mosaic is also a thank you to the very talented artists whose short-lived works contribute so much to my more permanent ones. Without the constant churn of art on that graffiti wall, this most special of materials wouldn’t exist.
While my leaving Ottawa is most likely permanent, the mark I am leaving behind is impermanent, which is a good reminder to me, as someone who thrives on stability and routine, to be more like one of my mosaics and just go with the flow.
So long, Ottawa! I’ll miss you. And Kitchener, I’ll be seeing you soon.