Fifteen weeks down, five to go. I’m definitely starting to feel the fatigue. I’ve recovered from the Verdiano Marzi workshop, but now I’m elbows deep in prepping for my next climate change mosaic, so I can feel my interest in these challenges waning as I embark on exciting new projects. But I will not give up! I’ve come this far, might as well finish (and I am still learning stuff, so it’s definitely not a waste of time).
Week 15’s prompt—“string theory”—was from Kelley Knickerbocker. We had to doodle a line and then use tesserae to define the negative space of the line. It was a great challenge and much harder than I initially thought it would be!
Title: “Metropolis” (note: differs from the name submitted to IMA, which was done in a hurry…I later exercised my right to a sober second thought)
Size: 6″ x 4.25″
Materials: Stone, cinca, coal, shale, flint
How long did it take to complete? About 2.5 hours (and another 2.5 hours for the one I did and then promptly threw in the garbage)
Thoughts: I had some trouble this week because, while I loved the challenge prompt, none of my materials were really speaking to me. Eventually I just grabbed a few random jars from my shelf and dove in head first. That attempt was so bad that I couldn’t bring myself to submit it, even though I know that there is no pressure to create a masterpiece in these challenges and that there are really no expectations other than to spend some time in the studio. Yes, it was that bad: the materials were wrong, the colours were off, the doodled line was wonky…*sigh* So I tried again, and the second attempt was a huge improvement on the first one. Had I not been under the gun to finish this in a hurry (I started on Sunday at 2pm), I would’ve spent a lot more time tapering the ends of the lines so they didn’t end so abruptly.
I learned two things this week, both completely unrelated to the challenge prompt. First, I learned that I really need to wait until I “feel it” before I start. If I force myself to just crank something out, chances are the results will be terrible. It is not unusual for me to leave a blank substrate and some half-chopped piles of materials on my table for a few days (or even weeks) while I putter and ponder until I’ve got it straight in my head. That is how I work and this challenge reinforced that I should do what works for me, even if it sometimes feels like I’m wasting time. Second, I learned what it feels like to create a complete flop and to recognize that and be ok with it going straight into the garbage.
this is very cool. What did you use as the back round surface? It looks like snow :)
The background is just a scrap of wood (I wasn’t too particular for these quick challenges) with a layer of thinset on top!
Thank you, the white thinset is what gave it that textured look.