I’m super excited to show you guys what I made at mosaic camp. It is decidedly better than what I used to make at camp – anyone remember gimp bracelets?? Of all the mosaics I’ve made before, this one is the purest and most accurate expression of me. I felt completely connected to this piece as I was making it. Is it perfect? Nope, not by any stretch of the imagination. And yet I love it. It might actually be my favourite piece to date, not because of how it looks, but because I love what it represents (more on that in Post #3).
So how did this piece come to be? Well, the palette was determined by the rocks I collected. I had no idea what I’d have to work with until we got back to the studio and started breaking them open. A lot of my classmates had quite the range of colours in the rocks they had picked up, but I happened to end up with a bit more of a subtle palette. (Not complaining at all about that – just stating a fact.) I had also brought some stones from home to play with, which I had collected from a pocket park just around the corner from where I work in Gatineau, QC.
There were lots of extra goodies available to use in our mosaics – smalti, shale, coal, tile, etc., but I made the decision early on that I only wanted to work with materials I had gathered myself. This was a workshop about sourcing your own local stone, so I wanted to take that quite literally and really connect with the materials. The other rule I set for myself was that I wanted to use only my hammer and hardie. No nippers.
I had no plan for this mosaic; it was completely an intuitive exploration. All I knew was that I wanted to work on ‘line’. Everything flowed from the focal point I chose – that lovely red stone. I have no idea what kind of stone it is, but I loved it from the instant I found it. I decided there was no point in trying to chop it up because it looked quite layered and was harder than the sandstone (it almost looked clay-like). Definitely wouldn’t break well. So…instant focal point!
I started working down from the red stone, using the slant of its outer edges as my general directional guide but letting the lines split and meander as they wanted to. I was immediately drawn to this greenish-grey stone (that had been particularly unwilling to break open for me), which I paired with a subtle yellow I had found. Of course, other colours worked their way in here and there, not really because of any conscious aesthetic choice, but more to do with the fact that I had previously mixed all my different stones together (oops!). I left the edges uneven and loose (a) because I had never done that before and (b) because I thought it went well with the organic feel that was emerging in the piece.
I had no idea where I was going to go after I finished that initial section. Would I switch directions and add in some horizonal(ish) lines? Have everything just radiate from that red stone? Introduce more focal points? And what about colours? Gah! Too much thinking. I just went with my gut, which was telling me: strip it down, keep it simple. So I just let everything keep running diagonally, but introduced some red at the top (because there were some red/white stones in my pile that I thought were quite beautiful) and black at the bottom, which is the stuff that came from Canada. [Side note: it was neat to feel the difference between the two kinds of stone when I was cutting them. The stuff from home was much harder and had a nice clean (and entirely satisfying) snap to it when it broke, whereas the sandstone was like butter.] There were some very jagged and irregular blue stones with a nice rusty orange-red that I really really wanted to incorporate, but no matter how hard I tried, I just couldn’t make it work. Anything I tried just felt forced. But fear not, I did bring them home with me (the only ones that made the journey back) and hopefully they’ll make their way into a future piece.
This mosaic was all about simplicity and understatedness. There’s a quietness and calmness about it that I think really reflects both my personality and the meditative space I was in when I was creating it. I felt both rooted and connected while making it, so I’ve decided to title it “Grounded.” Like I said, this is the most ‘me’ piece I have ever made. Expect more things like this from me in the future, because this just felt right.