What lies beneath our feet: Look what I made!

I’m super excited to show you guys what I made at mosaic camp. It is decidedly better than what I used to make at camp – anyone remember gimp bracelets?? Of all the mosaics I’ve made before, this one is the purest and most accurate expression of me. I felt completely connected to this piece as I was making it. Is it perfect? Nope, not by any stretch of the imagination. And yet I love it. It might actually be my favourite piece to date, not because of how it looks, but because I love what it represents (more on that in Post #3).

sandstone mosaic

“Grounded” – made during Rachel Sager’s “What lies beneath our feet” workshop at Touchstone Center for Crafts

So how did this piece come to be? Well, the palette was determined by the rocks I collected. I had no idea what I’d have to work with until we got back to the studio and started breaking them open. A lot of my classmates had quite the range of colours in the rocks they had picked up, but I happened to end up with a bit more of a subtle palette. (Not complaining at all about that – just stating a fact.) I had also brought some stones from home to play with, which I had collected from a pocket park just around the corner from where I work in Gatineau, QC.

There were lots of extra goodies available to use in our mosaics – smalti, shale, coal, tile, etc., but I made the decision early on that I only wanted to work with materials I had gathered myself. This was a workshop about sourcing your own local stone, so I wanted to take that quite literally and really connect with the materials. The other rule I set for myself was that I wanted to use only my hammer and hardie. No nippers.

I had no plan for this mosaic; it was completely an intuitive exploration. All I knew was that I wanted to work on ‘line’. Everything flowed from the focal point I chose – that lovely red stone. I have no idea what kind of stone it is, but I loved it from the instant I found it. I decided there was no point in trying to chop it up because it looked quite layered and was harder than the sandstone (it almost looked clay-like). Definitely wouldn’t break well. So…instant focal point!

I started working down from the red stone, using the slant of its outer edges as my general directional guide but letting the lines split and meander as they wanted to. I was immediately drawn to this greenish-grey stone (that had been particularly unwilling to break open for me), which I paired with a subtle yellow I had found. Of course, other colours worked their way in here and there, not really because of any conscious aesthetic choice, but more to do with the fact that I had previously mixed all my different stones together (oops!). I left the edges uneven and loose (a) because I had never done that before and (b) because I thought it went well with the organic feel that was emerging in the piece.

I had no idea where I was going to go after I finished that initial section. Would I switch directions and add in some horizonal(ish) lines? Have everything just radiate from that red stone? Introduce more focal points? And what about colours? Gah! Too much thinking. I just went with my gut, which was telling me: strip it down, keep it simple. So I just let everything keep running diagonally, but introduced some red at the top (because there were some red/white stones in my pile that I thought were quite beautiful) and black at the bottom, which is the stuff that came from Canada. [Side note: it was neat to feel the difference between the two kinds of stone when I was cutting them. The stuff from home was much harder and had a nice clean (and entirely satisfying) snap to it when it broke, whereas the sandstone was like butter.] There were some very jagged and irregular blue stones with a nice rusty orange-red that I really really wanted to incorporate, but no matter how hard I tried, I just couldn’t make it work. Anything I tried just felt forced. But fear not, I did bring them home with me (the only ones that made the journey back) and hopefully they’ll make their way into a future piece.

This mosaic was all about simplicity and understatedness. There’s a quietness and calmness about it that I think really reflects both my personality and the meditative space I was in when I was creating it. I felt both rooted and connected while making it, so I’ve decided to title it “Grounded.” Like I said, this is the most ‘me’ piece I have ever made. Expect more things like this from me in the future, because this just felt right.

, , , ,

12 Responses to What lies beneath our feet: Look what I made!

  1. Ferda May 25, 2013 at 8:52 pm #

    with this write-up I love this piece even more. I am so proud of you.

    • jmsperling May 25, 2013 at 9:16 pm #

      Awww thanks! That really means a lot!

  2. SJMcClelland May 27, 2013 at 1:08 pm #

    This is an amazing piece. Having seen and admired (and purchased) some of your previous work, I think this is my favourite.

    • jmsperling May 27, 2013 at 2:55 pm #

      Thanks Susan! Can’t wait to make more stuff along these lines. The whole process just really spoke to me.

  3. Helen Miles September 23, 2013 at 11:14 am #

    Really like this piece. I work with stone too and loved the colours of the mosaic and it’s flow. I also see that you have just started blogging like me! It’s a great way of working out all sorts of things…

    • jmsperling September 23, 2013 at 12:43 pm #

      Thanks Helen! Funny, I just found (and started following) your blog a week or two ago. Love reading about your adventures.


  1. What lies beneath our feet: Just the facts | Red Squirrel Mosaics - May 25, 2013

    […] This one will focus on the workshop itself – the who, what, where, when, why, and how of it. In the next post I’ll show you what I made and how I approached it. The third post will inevitably be the most […]

  2. What lies beneath our feet: Just the facts | Julie Sperling Mosaics - May 29, 2013

    […] This one will focus on the workshop itself – the who, what, where, when, why, and how of it. In the next post I’ll show you what I made and how I approached it. The third post will inevitably be the most […]

  3. Clearing my shelves: How “Harvest” came to be | julie sperling mosaics - June 2, 2013

    […] but I suck at coming up with them. Some of them come to me so easily (as was the case with “Grounded“), but most times it’s like pulling teeth. Luckily, R is the master of names and […]

  4. Getting to know the rocks in my neighbourhood | julie sperling mosaics - July 7, 2013

    […] been able to manage is a few lunchtime jaunts to that pocket park where I got the black rock for “Grounded” or a nearby section of the riverfront trail, which is fine except for the fact that it’s […]

  5. How to hang a mosaic in a pinch | julie sperling mosaics - November 4, 2013

    […] is the situation I found myself in with “Grounded” – there was a mix-up with the hanging hardware and we weren’t able to install it before […]

  6. What lies beneath our feet: Wayfinding and the road ahead | julie sperling mosaics - September 25, 2014

    […] seen myself more as a maker, craftsperson, or artisan. But, oddly enough, when I was making “Grounded“, I felt (for the first time ever) like maybe I could eventually grow into the label of […]

Let me know what you think!

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Powered by WordPress. Designed by WooThemes

%d bloggers like this: